Art Essays
Zohaib Ahmad
William R. Albury and George M. Weisz
Henri de Toulouse-Lautrec and medicine: A triumph over infirmity
The model for Albrecht Dürer’s Praying Hands
Niyi Awofeso and Anu Rammohan
Kindred paradigms: community arts and health advocacy in HIV/AIDS activism
Sarah Bahr
Medical deafness or the madness of war: Goya’s motivation for creating the Black Paintings
Alan W. Bates
The anatomy of beauty in nineteenth-century England
Michael Baum
The beauty of nature and the nature of beauty
Markley Boyer
William Sanger – the artist as health activist
Emily Boyle
The art of consumption – TB and John Lavery
Vincent Cracolici
Lord Howard Florey and the use of visual art in medicine
Margo Davis
Laurinda Dixon
Bosch’s Stone Operation: meaning, medicine, and morality
Art and the myth of the “wandering womb”
Mary Lynn Everson and Greg Halvorsen Schreck
The Marjorie Kovler Center quilts
Thom Ferrier
Florence Gelo
The painter and the potter: voices in color and texture
Katrina Genuis
The Isenheim Altarpiece and ‘homeopathic’ hospital art
Nancy Gershman
Lost Babies: how a photosculpture is changing the etiquette of consolation
Mark Gilbert and James E. Van Arsdall
Portraiture in the head and neck cancer clinic: A patient’s perspective
Frank Gonzalez-Crussi
Lovesickness in art and medicine
Prudence L. Gourguechon
The Dead Mother Series of Egon Schiele: psychoanalytic use of an artist’s image
Sarah Hartley
Architecture and the French hospital
Mirjana Stojkovic-Ivkovic
Art therapy: a historical perspective new
Farrah Jawad
Wounded deer—medical aspects of the life of Frida Kahlo
Seth Judson
Rodin’s “Large Left Hand 1903”
Nicholas Kang
Peter Kopplin
Maria S. Landaeta, Aldo L. Schenone, Gregory W. Rutecki
Art, Cristobal Rojas, and tuberculosis: a Latin American cultural experience
Jorge A. Lazareff
Elizabeth Lee
Jeffrey M. Levine
The two hemispheres of medicine
Ruth Margalit and Christopher Leet
Jessica Lobo
Michelangelo’s The Creation of Adam new
Eliette Markhbein
WHACK’ed … and then everything was different: portraits of traumatic brain injury survivors
Capturing recovery from trauma on canvas
Andrea Marks
An image in time: medical photography in dermatology
Stephen Martin
Anatomy and pathology in Zurbaran’s Jewish and Christian figures new
JH McAuley
Adil Menon
Sally Metzler
A Night with Venus, a lifetime with Mercury: syphilis among the British aristocracy in William Hogarth’s marriage à-la-mode
Death by Dysentery? Artist Frank Russell Wadsworth in Madrid
Caitlin Meyer
Emilio Mordini
Alejandro Ortiz Bullé Goyri and Carlos Valverde-R
The anonymous Olmec artisan and Velázquez
Francisco Goya’s “black period”
Roger Paden
Michelle Paff
JMS Pearce
The anatomy of Michelangelo (1475-1564)
Arabella Proffer
Imaging in medicine: fine art to medical art
Susan Brunn Puett & J. David Puett
Douglas Russell
Mindfulness in art: Robert Rauschenberg’s White Painting
Gregory Rutecki
When the sensory lens is an artistic prism: the brain, Kandinsky, and multisensory art
Abbott Handerson Thayer’s art and fin de siècle American culture
Mary T. Shannon
Crossing boundaries: visual representations of death and dying
Adam R. Shapiro
The Gross Clinic as religious painting: Eakins, affect, and anatomy
Sam Shuster
Mirjana Stojkovic – Ivkovic
Alcohol and the art of David Terniers Jr
Sara Öberg Strådal
Medieval medical diagrams: meanings, audiences, and functions
Sathyaraj Venkatesan and Anu Mary Peter
Life is a game: visual metaphors in Brian Fies’s Mom’s Cancer
Natalia Angeles Vieyra
Illuminating addiction: morphinomania in fin-de-siècle visual culture
Campaigning for Craig: the healing power of a legacy T-shirt
Yvonne Pepin-Wakefield
Color, image and symbol: memory recalling the 1990 Iraqi invasion of Kuwait through drawings
Christopher Walker
Painter, interrupted: Mary Cassatt and illness
Simon Wein
Surrealist art and the resolution of absurd
Caroline Wellbery
A painful but tender embrace: Robert Pope’s “Aesculapius”
Steve Wheeler
A proliferation of monsters: art of the weird as expressions of anxiety in Britain and Japan
Ian Williams
