Zohaib Ahmad
The perfection of illness
William R. Albury and George M. Weisz
Henri de Toulouse-Lautrec and medicine: A triumph over infirmity
The model for Albrecht Dürer’s Praying Hands
Glenn Arendts
Falls and art: an evolving story
Niyi Awofeso and Anu Rammohan
Kindred paradigms: community arts and health advocacy in HIV/AIDS activism
Sarah Bahr
Medical deafness or the madness of war: Goya’s motivation for creating the Black Paintings
Alan W. Bates
The anatomy of beauty in nineteenth-century England
Michael Baum
The beauty of nature and the nature of beauty
Markley Boyer
William Sanger – the artist as health activist
Emily Boyle
The art of consumption – TB and John Lavery
A picture of ill-health: the illness of Elizabeth Siddal
Giovanni Ceccarelli
Art and alcohol
Love and death; painting the farewell
Enrique Chaves-Carballo
Abram Belskie: sculptor of medical medallions
Chris Clark
Signs of diseases in art
Lawrence Climo
Art appreciation under the radar
Elizabeth Colledge
Tobias and the Angel—miracle or medical?
J.T.H. Connor
The striking social tableaux vivants of Lejaren à Hiller (1920s to 1940s)
Vincent Cracolici
Lord Howard Florey and the use of visual art in medicine
Margo Davis
The power of the creative
Vincent P. de Luise
Ghirlandaio, humanism, and truth: the portrait of an elderly man and young boy
Peter De Smet
Asymmetrical masks of indigenous Alaskan peoples: Do they represent facial paralysis or not? new
Laurinda Dixon
Bosch’s Stone Operation: meaning, medicine, and morality
Art and the myth of the “wandering womb”
Jeanne Dsouza
The Potato Eaters: brushstrokes of sickness and sustenance
Mary Lynn Everson and Greg Halvorsen Schreck
The Marjorie Kovler Center quilts
Thom Ferrier
Cruel to be kind
Howard Fischer
Pieter Bruegel and The Parable of the Blind
Ensor’s use of emesis in art
Depiction of defecation in the works of Pieter Bruegel
Diagnosing Mona Lisa
James L. Franklin
Rembrandt: Tobias Healing His Father’s Blindness
Hendrick Goltzius (1558–1617): The artist’s hand
Daniel Gelfman
A detailed depiction of a “crime scene” circa 1455
Florence Gelo
The art of loss
The painter and the potter: voices in color and texture
The vulnerability of love
Gently, Doctor, tell me what you see
Recognizing nonverbal communication through art new
Katrina Genuis
The Isenheim Altarpiece and ‘homeopathic’ hospital art
Nancy Gershman
Lost Babies: how a photosculpture is changing the etiquette of consolation
Campaigning for Craig: the healing power of a legacy T-shirt
Mark Gilbert and James E. Van Arsdall
Portraiture in the head and neck cancer clinic: A patient’s perspective
Frank Gonzalez-Crussi
Bronzino and the wages of sin
Lovesickness in art and medicine
Prudence L. Gourguechon
The Dead Mother Series of Egon Schiele: psychoanalytic use of an artist’s image
Rebecca Grossman-Kahn
Arthur Bispo do Rosário: creation in psychosis
Sarah Hartley
Architecture and the French hospital
Elizabeth Irvin
Seasick: Lessons in human anatomy from Hyman Bloom’s The Hull (1952)
Farrah Jawad
Wounded deer—medical aspects of the life of Frida Kahlo
Stephanie Jiang
Memento mori in medicine
Seth Judson
Rodin’s Large Left Hand 1903
Nicholas Kang
Letters from the asylum
The Portrait of Doctor Gachet
Zeynel Karcioglu
Edgar Degas’ light sensitivity and its effects on his art
Viney Kirpal
Using art to educate about breast cancer
Peter Kopplin
Monet and his cataracts
Maria S. Landaeta, Aldo L. Schenone, and Gregory W. Rutecki
Art, Cristobal Rojas, and tuberculosis: a Latin American cultural experience
Jorge A. Lazareff
The brain
Elizabeth Lee
Therapeutic beauty
Jeffrey M. Levine
The two hemispheres of medicine
Ruth Margalit and Christopher Leet
Finding a Voice
Jessica Lobo
Michelangelo’s The Creation of Adam
Kevin R. Loughlin
Strabismo di Venere—Michelangelo’s David
Eliette Markhbein
WHACK’ed … and then everything was different: portraits of traumatic brain injury survivors
Capturing recovery from trauma on canvas
Andrea Marks
An image in time: medical photography in dermatology
Stephen Martin
Anatomy and pathology in Zurbaran’s Jewish and Christian figures
Ophthalmology in Regency era China: a portrait of Thomas Richardson Colledge by George Chinnery
The painting of the Good Samaritan in Bracciano Castle
Blindness and visual sensory distortion in Thomas Bewick’s woodcuts
Medical monuments in St. John’s Church, Kolkata
Portraits of William Hunter by Reynolds, Chamberlin, and Ramsay WIN ’25
Faustina Maratti’s poem and altarpiece on losing her infant son new
Stephen Martin and Aidan Jones
Anatomy and psychology in George Stubbs’ portrait of Joseph Banks
Jimin Mathew and Lucy Samuel
Gav’s Frida Kahlo: Heroine of Pain
JH McAuley
Migrainous scotomata in art
Adil Menon
Manga as medical critique
Sally Metzler
A Night with Venus, a lifetime with Mercury: syphilis among the British aristocracy in William Hogarth’s marriage à-la-mode
Death by Dysentery? Artist Frank Russell Wadsworth in Madrid
Monet’s illnesses: beyond cataracts
Edvard Munch: medical portraitsnew
Emilio Mordini
Tithonus and Eos
Alejandro Ortiz Bullé Goyri and Carlos Valverde-R
The anonymous Olmec artisan and Velázquez
Francisco Goya’s “black period”
Roger Paden
Philosophy and Medicine
Michelle Paff
The tracheotomy
JMS Pearce
Art and Medicine
The anatomy of Michelangelo (1475–1564)
Mental illness in art
Richard Dadd: Art and madness
Leonardo’s Vitruvian Man
The vision of a visionary: JMW Turner RA
Leonardo’s Vitruvian Man, a self portrait? WIN ’25
Arabella Proffer
Imaging in medicine: Fine art to medical art
Susan Brunn Puett and J. David Puett
Partners in healing: An early renaissance painting depicting the partnership of the divine with the physicians Cosmas and Damian
Mojca Ramšak
Ivan Čobal’s “Blue Wall” at the Maribor University Clinical Centre in Slovenia new
Mark Ransom
The artistic depiction of Christ’s crucifixion: History meets biomechanics
Cody Ritz
Ellen Powell Tiberino’s The Operation
Nicolas Robles
Diego Rivera and Hernan Cortes
Vicent Rodilla
Morphine in the life and works of Catalan painter Santiago Rusiñol (1861–1931) WIN ’25
Vicent Rodilla, Alicia López-Castellano, and Christina Ribes-Vallés
Tooth extraction in art: from the dental key to the forceps
Irving Rosen
The special art of Vienna
Julia van Rosmalen and Thomas van Gulik
The wounds of Christ and Prometheus – two of a kind?
Rosemaria Roy
Death playing a fiddle new
Douglas Russell
Mindfulness in art: Robert Rauschenberg’s White Painting
Gregory Rutecki
When the sensory lens is an artistic prism: the brain, Kandinsky, and multisensory art
Abbott Handerson Thayer’s art and fin de siècle American culture
Mary T. Shannon
Crossing boundaries: visual representations of death and dying
Adam R. Shapiro
The Gross Clinic as religious painting: Eakins, affect, and anatomy
Sam Shuster
Darwin at the Chinese opera
Michelangelo’s David and the anatomical politics of religious art
Scott Sikkema
Piero della Francesca and Paul Klee (and cancer)
Mirjana Stojkovic-Ivkovic
Alcohol and the art of David Terniers Jr
Art therapy: a historical perspective
Traumatic experience and creativity: René Magritte
Kelley Swain
Stitches as mending, stitches as healing
Kateryna Tsoi
How black turned white
Kierstin Utter and Kyle Utter
Wyeth and the symbolism of immobility
Sathyaraj Venkatesan and Anu Mary Peter
Life is a game: visual metaphors in Brian Fies’s Mom’s Cancer
Natalia Angeles Vieyra
Illuminating addiction: morphinomania in fin-de-siècle visual culture
Yvonne Pepin-Wakefield
Color, image and symbol: memory recalling the 1990 Iraqi invasion of Kuwait through drawings
Christopher Walker
Painter, interrupted: Mary Cassatt and illness
Simon Wein
Surrealist art and the resolution of absurd
George M. Weisz
The lives and artistry of the Pissarro dynasty WIN ’25
Caroline Wellbery
A painful but tender embrace: Robert Pope’s Aesculapius
Göran Wettrell
“The Sick Child” in Scandinavian art
Steve Wheeler
A proliferation of monsters: art of the weird as expressions of anxiety in Britain and Japan
Eric Will
The incidental reach of pattern in Medicine and Art
Ian Williams
Graphic medicine
Mildred Wilson
Passion, paint, and pain: The journey of Robert Seldon Duncanson
Mark Rothko and the dialogue in his mind
The paradoxical life and art of Robert Colescott
Sam Woodworth
A trip to the museum