Anatomy
Wyn Beasley
Andreas Vesalius: Wesel to Basel
Angela Belli
Andreas Vesalius’ audience speaks out
Peter H. Berczeller
Learning anatomy in medical school
Elisabeth Brander
Bidloo and Ruysch: anatomy and art in the 17th century Netherlands
Handmaidens of anatomy
Richard Brown and Thalia Garvock-de Montbrun
Why did Darwin drop out of medical school?
Tan Chen
Rembrandt – The Anatomy Lesson of Dr. Nicolaes Tulp
George Dunea
Antonio Scarpa, anatomist (1752-1832)
Gabriele Falloppio (Fallopius) 1523- 1562
Giovanni Batista Morgagni (1602-1771)
Marcello Malpighi (1628-1694)
Juan Valdeverde de Amusco (1525-1588)
Hieronymus Fabricius of Acquapendente (1537-1619)
Anatomy before Vesalius
Anatomy plates: more shocking than useful
George Stubbs – “horse painter” and anatomist
Antonio Valsalva of the maneuver (1666-1723)
Honoré Fragonard anatomist: artistic embalmer
Bartolomeo Eustachio of the Anatomical Trinity
Berengario da Carpi, pre-Vesalian anatomist (1460-1530)
Guido Guidi, the anatomist known as Vidus Vidius
Johann Conrad Brunner and his work on the pancreas
Adrianus Spigelius, the last great Paduan anatomist
Henry Gray and his textbook of anatomy
Costanzo Varolio, who described the pons
Antonio Benivieni, early anatomist and pathologist
Gerard Blasius (1627–1682)
Julius Caesar Aranzi, anatomist and surgeon of Bologna
Sir Robert Carswell, illustrious medical illustrator
Dr. Auzoux and his papier-mâché anatomical models
The wax models of Clemente Susini (1752–1814)
The two Sylvius anatomists new
F. Inge Faust
Emmanuelle Godeau
Dissecting cadavers: learning anatomy or a rite of passage?
Frank Gonzalez-Crussi
The face of a very trivial death
Adéla Janíčková
Surgeon’s hands in Vesalius’s portraits and Rembrandt’s The Anatomy Lesson of Dr. Tulp
Julia King
Leonardo’s anatomical studies: from ancient imaginations to meticulous observations
Anna Lantz
Andreas Vesalius: an anatomical pop-up
Giulio Casserio’s anatomical atlas
Aubrie Lee
Donatella Lippi and Luigi Padeletti
Vesalius: the true face of anatomy
Kevin Loughlin
Harvard medical school and the body snatchers
John Hunter, Harvey Cushing, and acromegaly
Salvatore Mangione
Leonardo and the reinvention of anatomy
Catherine Mas
William Alcott and the cultural meaning of medical knowledge in the nineteenth century
John Massie
The curious tale of Leonardo Da Vinci and the spherical uterus
Alexandra Mavrodi and George Paraskevas
Bernardino Genga – the artistic nature of an anatomist
Gianfranco Natale, Rosalba Ciranni, and Paola Lenzi
Allister Neher
Classicism and Sir Charles Bell’s Engravings of the Nerves
James Nie
Charlene Ong
Neuroanatomy: a transition in understanding and observation
JMS Pearce
Vesalius: spirit of excellence and inquiry
Foundations of anatomy in Bologna
The Dutch anatomy lessons
Mary V. Seeman
Stefania Spano
Laughing in the face of death: Ruysch, dark humor & subversion of the memento mori in anatomical art
Mauro Spicci
Anatomical ghosts in The Merchant of Venice
Harriet Squier
Shreya Srivastava
Goran Štrkalj
Galen, macaques, and the growth of the discipline of human anatomy
Goran Štrkalj and William Hunt
Frazer A. Tessema
What’s Inside Us?: socio-cultural themes in anatomical naming
Jennifer Xu
Fabio Zampieri and Alberto Zanatta
The revolution of Andreas Vesalius
Larry Zaroff
Roseanne F. Zhao
Vignettes
Leonardo da Vinci: Anatomist
An interrupted dissection
Embalming
Atlas of head sections
Cells of an embryo
Opening the left ventricle
Between Vesalius and the CAT scan (Howard Fischer)
Diocles of Carystus FALL ’22
