Wyn Beasley

Andreas Vesalius: Wesel to Basel, Summer 2014

Angela Belli

Andreas Vesalius’ audience speaks out, Winter 2014

Elisabeth Brander

Bidloo and Ruysch: anatomy and art in the 17th century Netherlands, Spring 2014

Richard Brown and Thalia Garvock-de Montbrun
        Why did Darwin drop out of medical school?, Winter 2018 new

Tan Chen

Rembrandt – The Anatomy Lesson of Dr. Nicolaes Tulp, Summer 2014

George Dunea

Leonardo da Vinci: anatomist, Spring 2014

Anatomy before Vesalius, Summer 2014

Antonio Scarpa, anatomist (1752-1832), Fall 2017

Gabriele Falloppio (Fallopius) 1523- 1562, Fall 2017

Giovanni Batista Morgagni (1602-1771), Fall 2017

Marcello Malpighi (1628-1694), Fall 2017
Juan Valdeverde de Amusco (1525-1588), Fall 2017  
Hieronymus Fabricius of Acquapendente (1537-1619), Fall 2017

F. Inge Faust

The Autopsy, Summer 2012

The Autopsy II, Spring 2016

Emmanuelle Godeau

Dissecting cadavers: learning anatomy or a rite of passage?, Fall 2009

Frank Gonzalez-Crussi

The face of a very trivial death, Summer 2014

Adéla Janíčková

Surgeon’s hands in Vesalius’s portraits and Rembrandt’s The Anatomy Lesson of Dr. Tulp, Spring 2016

Julia King

Leonardo’s anatomical studies: from ancient imaginations to meticulous observations, Summer 2014

Anna Lantz

Mondino de’ Liuzzi, Winter 2016

Andreas Vesalius: an anatomical pop-up, Winter 2016

Giulio Casserio’s anatomical atlas, Fall 2016

Aubrie Lee

Cadaver Palavers, Winter 2011

Donatella Lippi & Luigi Padeletti

Vesalius: the true face of anatomy, Summer 2014

Salvatore Mangione

Leonardo and the reinvention of anatomy, Spring 2014

Catherine Mas

William Alcott and the cultural meaning of medical knowledge in the nineteenth century, Spring 2014

John Massie

The curious tale of Leonardo Da Vinci and the spherical uterus, Summer 2017

Alexandra Mavrodi & George Paraskevas

Bernardino Genga – the artistic nature of an anatomist, Winter 2016

Gianfranco Natale, Rosalba Ciranni, & Paola Lenzi

Vesalius in Pisa, Summer 2014

Allister Neher

Classicism and Sir Charles Bell’s Engravings of the Nerves, Summer 2017

James Nie

As I lay dead, Winter 2014

Charlene Ong

Neuroanatomy: a transition in understanding and observation, Summer 2014

JMS Pearce

Vesalius: spirit of excellence and inquiry, Spring 2014

Foundations of anatomy in Bologna, Fall 2017

Mary V. Seeman

Cadavers for dissection, Winter 2016

Stefania Spano

Laughing in the face of death: Ruysch, dark humor & subversion of the memento mori in anatomical art, Summer 2014

Mauro Spicci

Anatomical ghosts in The Merchant of Venice, Summer 2009

Goran Štrkalj and William Hunt 

Anatomical fugitive sheets revived: medical history as a stimulant for active learning and reflection, Summer 2017

Jennifer Xu

The body vanished: Sebald’s view of dissection in Rembrandt’s “The Anatomy Lesson of Dr. Nicolaes Tulp”, Fall 2014

Fabio Zampieri and Alberto Zanatta

The revolution of Andreas Vesalius, Spring 2015

Larry Zaroff

Leonardo’s heart, Spring 2013

Roseanne F. Zhao

In pursuit of a new anatomy, Spring 2014