Wilfred Niels Arnold
Chopin’s heart
Tyler Beauchamp, Rushay Amarath, and Andy Nguyen
Stay inside: A toast to the frontline
Jennifer Bingham
The lost art and the hidden treasure
Willem Blois
Medicine, musically
Steven Cheng
The pianist
George Christopher
Ode to baroque and other musical genres
Elizabeth Colledge
Franz Liszt and Lisztomania: “Le concert, c’est moi”
Cillin Condon
Song as a unit for physical activity: A-minor proposal
Lea Dacy and Eelco F. M. Wijdicks
The finality in their voices: death, disease, and palliation in opera
The finality in their voices II: physiology-defying violent opera death
Lea Dacy and Moses Rodriguez
The interrupted concerto: Jacqueline du Pré and MS
George Dunea
Madness at the Opera
Schubert, Schumann, and the Spirochete
Alexander Borodin, the polymath who composed Prince Igor (1833-1887)
Sergei Rachmaninov, the pianist with very big hands
Maurice Ravel’s neurologic disease
Nicolo Paganini – a case of mercury poisoning?
Gioachino Rossini of The Barber of Seville (1792-1868)
Shostakovich and his mysterious neurologic disease
Smetana, his music, his illness
Franz Liszt, best piano player in Europe
Felix Mendelssohn, musical prodigy
Frederick Delius and his neurological disease
Richard Wagner, a man of many symptoms
Joseph Haydn (1732-1809)
Charles Valentin Alkan
The parallel paths of opera and medicine SUM ’23
Daisy Fancourt
Medicine musica: the eighteenth-century rationalization of music and medicine
James L. Franklin
Surgery, note by note: Marin Marais’ “Tableau de l’Opération de la Taille”
The sound of one hand clapping: meditations on sinistrality
The castrati: a physician’s perspective, part 1
The castrati: a physician’s perspective, part 2
Mozart, Mesmer and medicine
The smell of burning rubber: the fatal illness of George Gershwin
Robert Schumann’s hand injury
Mozart and Salieri: From Pushkin to Shaffer
James L. Franklin and George Dunea
Béla Bartók (1881-1945): The years in America, triumph over tragedy
Vladimir Hachinski
Undreamt dreams can happen
Anne Jacobson
“Moonlight” and silence
Rayda Aaishah Joomun
Music and the brain
Inga Lewenhaupt and Einar Perman
The two nightingales
Vincent P. de Luise
Euterpe Deconstructed: Reflections on the health, illness, and legacy of Wolfgang Mozart
A musical vision: The eyes of Bach and Handel
Mozart’s “effect” on us: A review of an aspect of music and cognition
In consultation: Rachmaninoff, his physician, and the genesis of a masterpiece
Visualizing Mozart
Salvatore Mangione
Mahler at 100: A medical history
Stephen Martin
The symbolic portrait of Mozart’s patron Dr. Ferdinand Dejean
The patronage and playability of Mozart’s flute works
Tatiana Novikova
Death lullabies in Russian culture
Desmond O’Neill
And for unto us… Medicine, Messiah, and Christmas
Julia Price
Alexander Scriabin: incarnations of mysticism and philosophies
Harishnath Ramachandra
Was the Mozart Effect evident before the birth of Wolfgang Amadeus Mozart?
Nicolas Robles
The life and death of Franz Schubert
Mark Tan
Gymnopédie
Lazaros Triarhou
Tango impressions with medical overtones
Judith Wagner
“Breath of life you’ll be to me” – the portrayal of tuberculosis in the opera La Traviata
Eelco F. M. Wijdicks and Lea Dacy
Maria Callas—her inner voice revealed
Michael Yafi
Shostakovich, shrapnel, and chronic poliomyelitis
Hector Berlioz: From medical school to music conservatory
Nikolai Medtner: His forgotten melodies, music, and life
Michael Yafi and Chaden Yafi
Sergei Rachmaninoff: The dichotomy of life and music
Ludwig van Beethoven: Music and medicine
Tumultuous crescendos and tranquil decrescendos in Ravel’s work SUM ’23
Vignette
Four Women Dancing
Mahler’s endocarditis and broken heart