Music Box

Wilfred Niels Arnold

Chopin’s heart

Tyler Beauchamp, Rushay Amarath, and Andy Nguyen

Stay inside: A toast to the frontline

Jennifer Bingham

The lost art and the hidden treasure

Willem Blois

Medicine, musically

Steven Cheng

The pianist

George Christopher

Ode to baroque and other musical genres

Elizabeth Colledge
        Franz Liszt and Lisztomania: “Le concert, c’est moi”

Cillin Condon
        Song as a unit for physical activity: A-minor proposal

Lea Dacy and Eelco F. M. Wijdicks

The finality in their voices: death, disease, and palliation in opera 
The finality in their voices II: physiology-defying violent opera death

Lea Dacy and Moses Rodriguez

The interrupted concerto: Jacqueline du Pré and MS

George Dunea

Madness at the Opera

Schubert, Schumann, and the Spirochete
Alexander Borodin, the polymath who composed Prince Igor (1833-1887) 
Sergei Rachmaninov, the pianist with very big hands
Maurice Ravel’s neurologic disease
Nicolo Paganini – a case of mercury poisoning?
Gioachino Rossini of The Barber of Seville (1792-1868)
Shostakovich and his mysterious neurologic disease
Smetana, his music, his illness
Franz Liszt, best piano player in Europe 
Felix Mendelssohn, musical prodigy 
Frederick Delius and his neurological disease 
Richard Wagner, a man of many symptoms
Joseph Haydn (1732-1809)
Charles Valentin Alkan

Daisy Fancourt

Medicine musica: the eighteenth-century rationalization of music and medicine

James L. Franklin

Surgery, note by note: Marin Marais’ “Tableau de l’Opération de la Taille

The sound of one hand clapping: meditations on sinistrality

The castrati: a physician’s perspective, part 2

The castrati: a physician’s perspective, part 1

Mozart, Mesmer and medicine
The smell of burning rubber: the fatal illness of George Gershwin
Robert Schumann’s hand injury
Mozart and Salieri: From Pushkin to Shaffer 

James L. Franklin and George Dunea

Béla Bartók (1881-1945): The years in America, triumph over tragedy

Vladimir Hachinski

Undreamt dreams can happen

Anne Jacobson

“Moonlight” and silence

Rayda Aaishah Joomun

Music and the brain

Inga Lewenhaupt and Einar Perman 

The two nightingales

Vincent P. de Luise

Euterpe Deconstructed: Reflections on the health, illness, and legacy of Wolfgang Mozart

A musical vision: the eyes of Bach and Handel

Mozart “Effect” on us: A review of an aspect of music and cognition
In Consultation: Rachmaninoff, his physician, and the genesis of a masterpiece

Visualizing Mozart

Salvatore Mangione

Mahler at 100: a medical history

Stephen Martin

The symbolic portrait of Mozart’s patron Dr. Ferdinand Dejean
The patronage and playability of Mozart’s flute works

Tatiana Novikova

Death lullabies in Russian culture

Desmond O’Neill

And for unto us… Medicine, Messiah, and Christmas FALL ’22

Julia Price

Alexander Scriabin: incarnations of mysticism and philosophies

Harishnath Ramachandra

Was the Mozart Effect evident before the birth of Wolfgang Amadeus Mozart?

Nicolas Robles

The life and death of Franz Schubert

Mark Tan


Lazaros Triarhou

Tango impressions with medical overtones

Judith Wagner

“Breath of life you’ll be to me” – the portrayal of tuberculosis in the opera La Traviata

Eelco F. M. Wijdicks and Lea Dacy

Maria Callas—her inner voice revealed

Michael Yafi

Shostakovich, shrapnel, and chronic poliomyelitis
Hector Berlioz: from medical school to music conservatory

Nikolai Medtner: his forgotten melodies, music, and life

Michael Yafi and Chaden Yafi

Sergei Rachmaninoff: the dichotomy of life and music 
Ludwig van Beethoven: music and medicine


Four Women Dancing
Mahler’s endocarditis and broken heart