Tag Archives: Michelangelo

On suffering and its depiction in William Carlos Williams’s “The Yellow Flower”

Negin Rezaei Tehran, Iran   Passport photograph of William Carlos Williams. Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University. Circa 1920. Via Wikimedia Eric Cassell observed that physical pain and suffering are two distinct experiences and that pain is only one of the infinite number of sources that may cause suffering in […]

Strabismo di Venere—Michelangelo’s David

Kevin R. Loughlin Boston, Massachusetts, United States   Figure 1: Eyes of David. Photo by George M. Groutas. 2019. Via Wikimedia. CC BY 2.0. It is one of the most recognizable sculptures in Western art, the work of an acclaimed Renaissance artist. For over 600 years, it has been viewed by millions of tourists and […]

Art and alcohol

Giovanni Ceccarelli Roma, Italy   Fig. 1: Drinking Bacchus. Guido Reni, 1623, Gemäldegalerie Alte Meister, Dresden. Via Wikimedia. In the late 1940s Elaine de Kooning, wife of one of the most eminent exponents of American abstract expressionism (Willem de Kooning), commented that the whole art world of her time had become alcoholic. Yet even earlier, perhaps […]

The importance of the “The David Sign”

Daniel M. Gelfman Thad E. Wilson Indianapolis, Indiana, United States   Photo Credit: Daniel M. Gelfman, MD, September 28, 2018. A recent article in JAMA Cardiology titled “The David Sign” discussed the presence of “persistent” external jugular venous distention “hiding in plain sight” on one of the world’s most famous statues: Michelangelo’s David, completed in […]

Covid-19 and the mind: a short play

Catalina Florescu Hoboken, New Jersey, United States   Synchronized Mood by Oana Chivoiu, Assistant Professor at South Louisiana CC Characters: LOLA, late 40’s TORA, mid 40’s Setting: Two apartments in NYC. Imagine the dialogue happening in two balconies or, for a more absurd take, the same apartment divided by French doors. Time: During the historic […]

Engage the emotions

Florence Gelo Philadelphia, Pennsylvania, United States   Michelangelo Merisi da Caravaggio (1571-1610). The Taking of Christ, 1602 Oil on canvas. 135.5 x 169.5 cm L.14702. On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin, who acknowledge the kind generosity of the late Dr Marie Lea-Wilson, 1992 Photo © […]

The lost art and the hidden treasure

Jennifer Bingham Pittsburgh, Pennsylvania   It is the moment we catch ourselves wishing someone had mentioned how many pieces were in this puzzle that we look up to find progress. Photo by Pixabay from Pexels. The puzzle box is empty and the pieces are scattered across the table. After all, a puzzle was never meant […]

Signs of diseases in art

Chris Clark Exeter, United Kingdom   Lucrezia Vertova Agliardi by Giovanni Battista Moroni (1557) The Metropolitan Museum of Art “Every human being tells a story even if he never speaks.”1 Two paintings hang next to each other in the sumptuous Palazzo Doria Pamphilj in Rome: The Rest on the flight to Egypt and Penitent Magdalen. […]

La Pieta

Rachel Fleishman Philadelphia, Pennsylvania, United States   La Pieta, 1498-1499, Michelangelo, St. Peter’s Basilica, Vatican City. Wikipedia A mother holds her dead child. His body flops open without resistance, freshly dead. His head is cocked back, shoulder lifted, arms release the last vestige of grip. Her face sullen, her hand beside him open and offering, […]

Michelangelo’s David and the anatomical politics of religious art

Sam Shuster Woodbridge, Suffolk   David. Michelangelo. 1501-4, Florence It is impossible to see Michelangelo’s David without marvelling at the way its power and humanity have been fashioned from coarse stone. Apart from its living warmth, there is a unique display of human anatomy, each feature of which stands out in perfection, and together make […]