Tag Archives: Michelangelo

The importance of the “The David Sign”

Daniel M. Gelfman Thad E. Wilson Indianapolis, Indiana, United States   Photo Credit: Daniel M. Gelfman, MD, September 28, 2018. A recent article in JAMA Cardiology titled “The David Sign” discussed the presence of “persistent” external jugular venous distention “hiding in plain sight” on one of the world’s most famous statues: Michelangelo’s David, completed in […]

Covid-19 and the mind: a short play

Catalina Florescu Hoboken, New Jersey, United States   Synchronized Mood by Oana Chivoiu, Assistant Professor at South Louisiana CC Characters: LOLA, late 40’s TORA, mid 40’s Setting: Two apartments in NYC. Imagine the dialogue happening in two balconies or, for a more absurd take, the same apartment divided by French doors. Time: During the historic […]

Engage the emotions

Florence Gelo Philadelphia, Pennsylvania, United States   Michelangelo Merisi da Caravaggio (1571-1610). The Taking of Christ, 1602 Oil on canvas. 135.5 x 169.5 cm L.14702. On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin, who acknowledge the kind generosity of the late Dr Marie Lea-Wilson, 1992 Photo © […]

The lost art and the hidden treasure

Jennifer Bingham Pittsburgh, Pennsylvania   It is the moment we catch ourselves wishing someone had mentioned how many pieces were in this puzzle that we look up to find progress. Photo by Pixabay from Pexels. The puzzle box is empty and the pieces are scattered across the table. After all, a puzzle was never meant […]

Signs of diseases in art

Chris Clark Exeter, United Kingdom   Lucrezia Vertova Agliardi by Giovanni Battista Moroni (1557) The Metropolitan Museum of Art “Every human being tells a story even if he never speaks.”1 Two paintings hang next to each other in the sumptuous Palazzo Doria Pamphilj in Rome: The Rest on the flight to Egypt and Penitent Magdalen. […]

La Pieta

Rachel Fleishman Philadelphia, PA, USA   La Pieta, 1498-1499, Michelangelo, St. Peter’s Basilica, Vatican City. Wikipedia A mother holds her dead child. His body flops open without resistance, freshly dead. His head is cocked back, shoulder lifted, arms release the last vestige of grip. Her face sullen, her hand beside him open and offering, she […]

Michelangelo’s David and the anatomical politics of religious art

Sam Shuster Woodbridge, Suffolk   David. Michelangelo. 1501-4, Florence It is impossible to see Michelangelo’s David without marvelling at the way its power and humanity have been fashioned from coarse stone. Apart from its living warmth, there is a unique display of human anatomy, each feature of which stands out in perfection, and together make […]

Michelangelo’s The Creation of Adam

Jessica Lobo London, Ontario, Canada   Michelangelo, taken from a drawing in “The Index Guide to Travel and Art-Study in Europe” Lafayette Loomis, 1882. Michelangelo painted some of his most famous work on the Sistine Chapel ceiling, covering it with the world’s most beautiful frescoes, of which The Creation of Adam is the most iconic.1 He […]

The feast of health: the Christian legacy of Hygeia

Wilson F. Engel, III Gilbert, Arizona, United States   Figure 1. The Fall and Expulsion of Adam and Eve, 1510 AD. Michelangelo, Fresco, Sistine Chapel, Vatican, Rome.   Michelangelo’s famous fresco in the Sistine Chapel (Figure 1) shows the serpent tempting Eve on the left, and the archangel Raphael expelling Adam and Eve from the Garden of […]

The Anatomy of Michelangelo (1475-1564)

JMS Pearce East Yorks, England   Michelangelo’s anatomy drawings Michelangelo Buonarroti was an exception to the rule that the qualities of many brilliant artists and composers are realized and extolled only after death. He was recognized by contemporaries as a genius, a “Hero of the High Renaissance,” the only artist of whom it was claimed […]