Tag: Michelangelo
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Daumier’s doctors
Howard Fischer Uppsala, Sweden “Le médecin : Pourquoi, diable! mes malades s’en vont-ils donc tous?”. Caricature by Daumier. National Library of Medicine. No known copyright restrictions. “Comfort the afflicted, and afflict the comfortable.” – Reinhold Niebuhr Honoré Daumier (1808–1879) was a “fundamentally discontented” French social critic, painter, sculptor, and printmaker. He produced over…
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A detailed depiction of a “crime scene” circa 1455
Daniel GelfmanIndianapolis, Indiana, United States The use of forensic science to determine the etiology and manner of death has been attempted for millennia. Early autopsies involved inspection of the deceased individual and possibly an internal examination. The performance of autopsies has been greatly influenced by religious and political forces.1 There is a record of the…
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On suffering and its depiction in William Carlos Williams’s “The Yellow Flower”
Negin Rezaei Tehran, Iran Passport photograph of William Carlos Williams. Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University. Circa 1920. Via Wikimedia Eric Cassell observed that physical pain and suffering are two distinct experiences and that pain is only one of the infinite number of sources that may cause suffering in…
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Strabismo di Venere—Michelangelo’s David
Kevin R. LoughlinBoston, Massachusetts, United States It is one of the most recognizable sculptures in Western art, the work of an acclaimed Renaissance artist. For over 600 years, it has been viewed by millions of tourists and by millions more in photographs or books. Yet until recently, an obvious physical abnormality had gone largely unrecognized.…
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Art and alcohol
Giovanni CeccarelliRoma, Italy In the late 1940s Elaine de Kooning, wife of one of the most eminent exponents of American abstract expressionism (Willem de Kooning), commented that the whole art world of her time had become alcoholic. Yet even earlier, perhaps always, drinking and drunkenness had attracted the interest of many artists. In a drinking…
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The importance of the “The David Sign”
Daniel M. GelfmanThad E. WilsonIndianapolis, Indiana, United States A recent article in JAMA Cardiology titled “The David Sign” discussed the presence of “persistent” external jugular venous distention “hiding in plain sight” on one of the world’s most famous statues: Michelangelo’s David, completed in 15041 (Figure 1). David is shown just before his fight with the…
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Covid-19 and the mind: a short play
Catalina Florescu Hoboken, New Jersey, United States Synchronized Mood by Oana Chivoiu, Assistant Professor at South Louisiana CC Characters: LOLA, late 40’s TORA, mid 40’s Setting: Two apartments in NYC. Imagine the dialogue happening in two balconies or, for a more absurd take, the same apartment divided by French doors. Time: During the historic…
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Engage the emotions
Florence Gelo Philadelphia, Pennsylvania, United States Michelangelo Merisi da Caravaggio (1571-1610). The Taking of Christ, 1602 Oil on canvas. 135.5 x 169.5 cm L.14702. On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin, who acknowledge the kind generosity of the late Dr Marie Lea-Wilson, 1992 Photo ©…
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The lost art and the hidden treasure
Jennifer Bingham Pittsburgh, Pennsylvania It is the moment we catch ourselves wishing someone had mentioned how many pieces were in this puzzle that we look up to find progress. Photo by Pixabay from Pexels. The puzzle box is empty and the pieces are scattered across the table. After all, a puzzle was never meant…
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Signs of diseases in art
Chris ClarkExeter, United Kingdom “Every human being tells a story even if he never speaks.”1 Two paintings hang next to each other in the sumptuous Palazzo Doria Pamphilj in Rome: The Rest on the flight to Egypt and Penitent Magdalen. Both are early works by Caravaggio, and these two diverse biblical women appear to have…