Hektoen International

A Journal of Medical Humanities

Tag: theater

  • Richard Wagner, a man of many symptoms

    Richard Wagner was an extraordinarily talented musical genius. Almost singlehandedly he revolutionized opera, completing its transformation from the traditional recitative–aria format to a continuous musical drama. He was born in 1813 in turbulent times in Leipzig. There four months after his birth the combined forces of Prussia, Austria, Sweden, and Russia defeated the once invincible…

  • Rehearsing lines

    Catalina Florina FlorescuHoboken, New Jersey, United States CHARACTERS: EveAna TIME AND SETTING: Now, here. Two women are seated on a bench. That’s all you need to know. Plus that their name is a palindrome. Mirrored names. Make what you want out of this. EVE: What is the taste of water, dear? ANA: Excuse me? EVE:…

  • Bad blood: The drama of bloodshed

    Emily BoyleDublin, Ireland In some professions, bloodstained clothing is a normal part of the job. The two jobs that come to mind principally are a butcher and a vascular surgeon, although the latter would probably prefer not to be associated with the former! In vascular surgery not every operation results in bloodstained scrubs, although for…

  • Madness and gender in Gregory Doran’s Hamlet

    Sarah BahrIndianapolis, Indiana, United States In director Gregory Doran’s 2009 film adaptation of Shakespeare’s Hamlet, David Tennant’s Hamlet becomes a bawdy lunatic who consciously or unconsciously uncouples himself from reality. The intentionality of Hamlet’s madness is more muddled than in Shakespeare’s text because of the confrontational quality Tennant lends to the prince’s mental angst. Tennant…

  • Bigger than a black box

    Valeri Lantz-GefrohTexas, United States I am an actor, director, and acting teacher. And my theater is a medical school in Texas. “Wait, what?” My life in the last decade has been full of, “Wait, what?” The answers to that question have brought me profound appreciation for many things—but especially the expansiveness of theater training. I…

  • Margaret Edson’s W;t: Lessons on person-centered care

    Atara MessingerToronto, Ontario, Canada American playwright Margaret Edson’s 1998 play W;t has been described as “ninety minutes of suffering and death mitigated by a pelvic exam and a lecture on seventeenth-century poetry.”1 When W;t was first published, most theater companies rejected it on the grounds that its subject matter would be too difficult for audiences…

  • Ending one’s life on the stage

    Angela BelliNew York City, New York, United States Writers and physicians often share the same sensibilities and skills required to describe the disease process and its wider effects. But while the literary artist, unlike the physician, relies on his imagination to realize the experience of his fictional characters, he can also engage the imagination and…

  • “Breath of life you’ll be to me”—The portrayal of tuberculosis in the opera La Traviata

    Judith WagnerMunich, Germany The white half-round of the stage is illuminated with an eerie blue light. The only prop is a large clock on the right-hand side. A dark figure is seated beside it. The door on the left opens and the heroine—clad all in red—enters the stage. Strings accompany her appearance with a low…

  • Anatomical ghosts in The Merchant of Venice

    Mauro Spicci Antonio and the dangers of self-diagnosis In the last few years the steadily growing number of attempts to read Shakespeare’s plays from a medical perspective has been justified by the idea that they are not simply the immortal fruits of a genius, but also documents reflecting the historical, cultural, and social background of…