Tag: Francisco Goya
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Dr. Arrieta’s lesson: Have we lost something in the gain?
Ariana Shaari New York, New York, United States Figure 1: Self-Portrait with Dr. Arrieta. 1820. Francisco Goya. Height: 45.1 inches. Width: 30.1 inches. Oil on Canvas. Source. A global pandemic has transformed, almost overnight, the way medical care is delivered. Telemedicine without face-to-face contact has facilitated social distancing, eased the burden on physicians, and…
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The old women of Francisco Goya
Time is running out for these two decrepit old crones who clearly have seen better days. In this 1820 painting titled El Tiempo, Francisco Goya shows the figure of Cronos hovering over the two women, ready to sweep them away with a broom into the memory of time. The woman in white, her face…
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Medical deafness or the madness of war: Goya’s motivation for creating the Black Paintings
Sarah Bahr Indianapolis, Indiana, United States Figure 1. Goya, Francisco. Saturn Devouring His Son. 1820-1823. Prado National Museum. The Spanish painter Francisco Goya darkened the plaster walls of his rural Madrid farmhouse with leering witches, a gaggle of grimacing hags, and a man with bulging eyes devouring a human form. The latter painting, posthumously…
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Francisco Goya’s “black period”
Alejandro Goyri Carlos Valverde-R México City, México Figure 1: Witches’ Sabbath (Aquelarre or El gran cabrón), 1819-1823 Museo del Prado Figure 2: Witches’ Sabbath (Aquelarre), 1797-1798 Museo Lázaro Galdiano In his so-called “black period,” Francisco Goya created a series of oil paintings, engravings, and drawings that depict witches and mentally or physically…