Tag: Art Essays
-
Edvard Munch: Medical portraits
Sally MetzlerChicago, Illinois, United States The name Edvard Munch usually recalls his masterful painting titled The Scream (fig. 1). This iconic image from 1893 depicts a moody landscape inhabited by a ghostlike, androgynous, wispy figure, facing if not confronting the viewer. Elongated hands frame the head, pressing emphatically on the ears of a hairless ovoid…
-
Faustina Maratti’s poem and altarpiece on losing her infant son
Stephen MartinThailand A most unusual altarpiece panel of the Virgin with the infants Christ and John the Baptist came to light recently. (Fig 1) The heavily-sawn pitch pine had an inscription on the back which was difficult to read. Studying the ink writing under violet light, however, it was not hard to make out: Pinxit…
-
Recognizing nonverbal communication through art
Florence GeloPhiladelphia, Pennsylvania, United States On a recent excursion to the Philadelphia Museum of Art for a themed tour, medical students gathered to look at paintings of suffering and healing. For this medical humanities elective, led by faculty members, each small group viewed these images, using a discussion guide to elicit their responses. Our tour…
-
The lives and artistry of the Pissarro dynasty
George WeiszSydney, Australia Reviewing the lives of famous people is mostly rewarding and only disappointing when it changes our views of admired idols. Apart from his painting, the so-called “dean” of the Impressionist art movement is of interest for several other reasons. What more can we say about Camille Pissarro than the books, stories, lectures,…
-
Morphine in the life and works of Catalan painter Santiago Rusiñol (1861–1931)
Vicent RodillaValencia, Spain Morphine was discovered by the German pharmacist Friedrich Wilhelm Sertürner, who in 1804 isolated it from opium and named it “morphium” after Morpheus, the Greek god of dreams. He noted that high doses could lead to psychiatric effects and that the pain relief provided by this compound was ten times more potent…
-
Leonardo’s Vitruvian Man, a self portrait?
JMS PearceHull, England Amongst Leonardo da Vinci’s (1452–1519) unrivalled masterpieces are the Mona Lisa (c. 1503), The Last Supper (c. 1495–1498), Salvator Mundi (c. 1499–1510), and the Vitruvian Man (c. 1490). All have been subject to countless commentaries and learned descriptions.1,2 Just as the fictional works of novelists often include (albeit subconsciously) aspects of their…
-
Portraits of William Hunter by Reynolds, Chamberlin, and Ramsay
Stephen MartinThailand The Hunterian in Glasgow University and The Royal Academy, London, have three portraits of the anatomist Dr William Hunter.1,2 They make a particularly interesting group with personalized, cryptic symbols and plain emblems of anatomy and the Enlightenment. Despite some discussion,3 their specific icons have never been analyzed. Portrait by Sir Joshua Reynolds Reynolds…
-
Hendrick Goltzius (1558–1617): The artist’s hand
James L. FranklinChicago, Illinois, United States In 1588, when Hendrick Goltzius created this striking drawing (Fig. 1) of his deformed right hand, the thirty-year old Haarlem draftsman and engraver was already one of the most influential, well-recognized artists in Europe. In a sense, the drawing was his signature writ large, as evidenced in an anecdote…
-
Rembrandt: Tobias Healing His Father’s Blindness
James L. FranklinChicago, Illinois, United States Rembrandt Harmenszoon van Rijn’s Tobias Healing his Father’s Blindness, painted in 1636, depicts the climactic moment in the Book of Tobit when Tobias returns to his father’s home and instills the gall (bile) he had taken from a giant fish into his blind father’s eyes, thereby restoring his sight.1…