Tag: Jesus Christ
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The Madonna of Impruneta: Icons and processions
The Madonna of Impruneta is an icon showing the Virgin Mary holding the infant Jesus. Its origins can be traced to the year 1060, when some woodcutters found it in the woods of Tuscany and brought it to the church at Impruneta. According to an alternative version, a man named Biagio coming back from Rome…
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Washing our hands
Anthony Papagiannis Thessaloniki, Greece Winter Sunshine, Halkidiki, Greece. Photo by the author Ever since Pontius Pilate, the Roman governor of Judea, washed his hands before condemning Jesus Christ to death by crucifixion, this simple act of personal sanitation has been used as the figurative icon of a disclaimer, the denial of responsibility. Today, in…
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Engage the emotions
Florence Gelo Philadelphia, Pennsylvania, United States Michelangelo Merisi da Caravaggio (1571-1610). The Taking of Christ, 1602 Oil on canvas. 135.5 x 169.5 cm L.14702. On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin, who acknowledge the kind generosity of the late Dr Marie Lea-Wilson, 1992 Photo ©…
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Bad blood
Andrea DejeanToulouse, France The French Blood Agency (l’Établissement français du sang; EFS) organizes frequent blood collection campaigns in the small city where I live in southwestern France. These campaigns are often planned to take place before the start of school vacations or just before the end-of-the-year holiday season when many French families take to the…
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Whose blood is it anyway?
Felicity Self Pacific North West Drawn by author: Felicity Ray Self I am ashamed. I am ashamed because I have only given blood once in my entire adult life. I am forty-eight years old and eligible to donate blood since I was seventeen, which means I have had thirty-one years in which I could…
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The artistic depiction of Christ’s crucifixion: history meets biomechanics
Mark RansomJohnson City, Tennessee, United States The artistic depiction of the crucifixion of Jesus Christ, particularly from the first known images through the seventeenth century, are inconsistent in their portrayal of His cross and body position. There is little doubt that some of the evolution in the scene is in keeping with the artists’ deliberate…