Sarah BahrIndianapolis, Indiana, United States In director Gregory Doran’s 2009 film adaptation of Shakespeare’s Hamlet, David Tennant’s Hamlet becomes a bawdy lunatic who consciously or unconsciously uncouples himself from reality. The intentionality of Hamlet’s madness is more muddled than in Shakespeare’s text because of the confrontational quality Tennant lends to the prince’s mental angst. Tennant…